Razakar Movie Review: An Honest And Brutal Tale

March 16, 2024



  • Cast : Raj Arjun, , Anasuya, Vedhika, ,Markand Deshpande, Bobby Simha,Tej Sapru, Indraja, Thalaivasal Vijay
  • Director : Yata Satyanarayana
  • Producer : Gudur Narayan Reddy
  • Banner : Samarveer Creation LLP
  • Music : Bheems Ceciroleo

3 / 5

Today marks the release of the film ‘Razakar’, directed by Yata Satyanarayan. Let’s delve into what this film offers.


Set in post-independence India, ‘Razakar’ delves into the turbulent era of Hyderabad, the largest princely state. Despite India’s freedom from British rule in 1947, Hyderabad remains an independent Kingdom under the reign of the Nizam of Hyderabad, also known as Mir Osman Ali Khan (Portrayed by Makarand Deshpande). Refusing to sign the accession agreement, the Nizam opts for a standstill agreement, the Nizam opts for a standstill agreement with the Union of India. During this period, a paramilitary force named Razakars, led by Qasim Razvu (Played by Raj Arjun), inflicts terror on Hindus with their brutal acts of Violence. The film explores the repercussions of these events.

Technical Analysis:

The film boasts impactful music by Bheems Cecirleo and visually arresting cinematography by Ramesh Kushendar, effectively capturing the anguish of the affected populace. Despite budget constraints, the filmmakers have delivered a high-quality production, with commendable VFX and meticulous attention to production design, effectively recreating the era’s ambiance.

Director Satyanarayan exhibits commendable conviction in bringing this violent chapter of history to the screen. ‘Razakar’ serves as an informative and poignant narrative, shedding light on the untold stories of unsung heroes who resisted tyranny. Satyanarayan’s directorial prowess is evident, hinting at a promising future if he continues to helm projects of similar projects of similar caliber.

Plus Points:

  • The film effectively exposes the lesser-known genocide during the Nizam rule, leaving viewers shell-shocked.
  • Atrocities against Hindus and forceful religious conversions are depicted chillingly, evoking strong emotional responses.
  • The film intricately details the traumatic experiences of innocent victims, highlighting thorough research by the writing team.
  • Operation Polo’s portrayal adds depth, offering insights into Sardar Vallabhbhai Patel’s role in integrating Hyderabad into India.
  • The film refrains from targeting any religion, solely focusing on the atrocities committed by the Nizam and Razakars against civilians.
  • Raj Arjun shines in his portrayal of Qasim Razvi, while Markhand Deshpande and Tej Sapru deliver brilliant performances. Other cast members also excel, making the narrative compelling.

Minus Points:

  • The initial half, focusing on Razakars’ brutality, suffers from a slower pace and occasional repetition, affecting the narrative flow.
  • Viewers expecting light entertainment may find the film challenging, as it unflinchingly portrays atrocities without sugar-coating.
  • The film’s graphic depiction of heinous acts might be unsettling for some audience members.


In summary, ‘Razakar’ stands as a poignant portrayal of the atrocities committed during the Hyderabad genocide under Nizam’s rule. The film succeeds in shocking viewers with its grim realities while effectively portraying the plight of ordinary citizens. Performance-wise, the cast delivers commendable portrayals, and the film shines technically. Although the first half may feel sluggish at times, the gripping second half captivates audiences with each passing minute. For history enthusiasts or those seeking a compelling narrative, ‘Razakar’ is a worthwhile watch this weekend.

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